The open source FLUX model comes with an impressive precision when it comes to prompt alignment. This refers to the multitude of training parameters in comparison to common Stable Diffusion models. To line out this empowering capability of the technology, this series uses plain narrative text sketches to be fed into the FLUX diffusion model – in raw format and in a more moderated format done by an LLM.
chapter #1 – wandering
handwritten sketch of narrative: a black and white raw photo of a dirty bald boy with black distressed oversized workers jacket that reaches til his feet. The boy looks a little bit like a monk and seems to wander weightlessy through a rough mountain desert with black harsh rocks and white desert sand. There is some twisted surreal cables coming out of the ground. There is heavy wind and white dense clouds. you see the boy from behind trying to climb the rocky path. the scene is pretty dark, but there are several rim lights that show there is sun somewhere through the dense clouds. There is also rocks and clouds in out of focus foreground.
overworked LLM narrative: In a raw black-and-white photograph, a hauntingly atmospheric scene is captured. The image features a dirty, bald boy, his appearance reminiscent of a monk. He wears a black, distressed workers‘ jacket that, in its oversized state, drapes down to his feet, amplifying the sense of his weightless, almost ethereal presence. The boy wanders through a rugged mountain desert, where the stark contrast between the black, harsh rocks and the white desert sand creates a surreal landscape. Twisted, surreal cables emerge from the ground, adding an eerie, otherworldly element to the scene. Heavy winds whip through the desolate terrain, and dense, white clouds swirl above, casting a shadowy pall over the environment. The boy is seen from behind, struggling to climb a rocky path that seems to merge with the forbidding desert. The photograph is enveloped in darkness, yet several rim lights intermittently pierce through the dense clouds, hinting at a sun struggling to break through. In the foreground, rocks and clouds are rendered out of focus, further enhancing the dreamlike quality of the scene. This image conveys a profound sense of solitude and surrealism, capturing the boy’s enigmatic journey through a world that seems both menacing and fantastical.
chapter #2 – far sight
handwritten sketch of narrative: a black and white raw photo of a dirty bald boy with black distressed oversized workers jacket that reaches til his feet. The boy looks a little bit like a monk. in far distance you can see huge twisted cables that look like a tower or the skeleton of a building that is barely visible because of the clouds. the boy wonders and seem to be reliefed to see this relic. the scene is pretty dark, but there are several rim lights that show there is sun somewhere through the dense clouds. There is also rocks and clouds in the out of focus foreground.
overworked LLM narrative: In this next chapter, the black-and-white photograph deepens the sense of wonder and awe in the narrative. The image captures a surreal and striking view of the scene from an unusual perspective.The photograph looks up from the base of an immense and intricate structure, where fat cables, twisted and intertwined, form a chaotic yet mesmerizing network. This sprawling web of cables appears to merge into some kind of derelict building, its form partially obscured by the dense clouds that loom overhead. The structure’s complexity and scale are accentuated by the dramatic angle of the shot.At the bottom of the image, the dirty, bald boy—his appearance still echoing the semblance of a monk—stands silently, gazing upward with a look of profound awe and silent contemplation. His black, distressed workers‘ jacket, now even more pronounced against the dark surroundings, falls in dramatic folds around him as he absorbs the grandeur of the surreal construct above.The scene remains shrouded in darkness, yet the rim lights intermittently cut through the gloom, revealing that the sun is trying to pierce through the dense, swirling clouds. These lights cast fleeting glimmers on the cables and the boy, emphasizing the surreal and almost celestial nature of the scene.Foreground elements, including rocks and clouds, remain out of focus, providing a blurred context that accentuates the depth and scale of the structure and the boy’s small, solitary presence beneath it. This photograph captures a moment of silent reverence, highlighting the boy’s profound reaction to the otherworldly spectacle above him.
chapter #3 – looking up
handwritten sketch of narrative: a black and white raw photo of a dirty bald boy with black distressed oversized workers jacket that reaches til his feet. The boy looks a little bit like a monk. the camera looks up in some surreal structure of fat cables that are interwoven to some kind of building. on the bottom of the image you see the monk boy looking up silently and impressed. the scene is pretty dark, but there are several rim lights that show there is sun somewhere through the dense clouds. There is also rocks and clouds in the out of focus foreground.
overworked LLM narrative: In this next chapter, the black-and-white photograph deepens the sense of wonder and awe in the narrative. The image captures a surreal and striking view of the scene from an unusual perspective. The photograph looks up from the base of an immense and intricate structure, where fat cables, twisted and intertwined, form a chaotic yet mesmerizing network. This sprawling web of cables appears to merge into some kind of derelict building, its form partially obscured by the dense clouds that loom overhead. The structure’s complexity and scale are accentuated by the dramatic angle of the shot. At the bottom of the image, the dirty, bald boy—his appearance still echoing the semblance of a monk—stands silently, gazing upward with a look of profound awe and silent contemplation. His black, distressed workers‘ jacket, now even more pronounced against the dark surroundings, falls in dramatic folds around him as he absorbs the grandeur of the surreal construct above. The scene remains shrouded in darkness, yet the rim lights intermittently cut through the gloom, revealing that the sun is trying to pierce through the dense, swirling clouds. These lights cast fleeting glimmers on the cables and the boy, emphasizing the surreal and almost celestial nature of the scene. Foreground elements, including rocks and clouds, remain out of focus, providing a blurred context that accentuates the depth and scale of the structure and the boy’s small, solitary presence beneath it. This photograph captures a moment of silent reverence, highlighting the boy’s profound reaction to the otherworldly spectacle above him.